What is the Difference Between Someone or Somebody

Writers need to be precise whether writing fiction or non-fiction. There are many words whose definition is so subtle that the wrong word can throw off the sentence.

So in working on my e-novel yesterday I stopped myself trying to decide whether to use ‘someone’ or ‘somebody’ and thought to see which is proper in the context of my sentence.

I checked six books on language usage, books that discussed problem words and expressions, the which word when type of books. There was no mention of either word I was looking for. I checked the dictionary and found either word is okay, they are interchangeable.

If they are interchangeable then why do we have two words? Can’t we eliminate one or the other. If they mean the same thing then one must go.

But wait I said to myself. Check the Internet.

One site confirmed they are interchangeable, but that someone is five times more popular in usage than somebody. Fewer syllables, easier to use. But one site is not conclusive and how do I know someone is five times more popular. What is their source.

Another site said the following: ‘Someone’ is used if you are in a location where there are many people around, but you don’t know whom you’re referring to. Sounds confusing? To break it down, if used in a sentence ‘“ ‘Someone has left the room and started screaming loudly’ it means you don’t know exactly who left the room with all the people around.

‘Somebody’ is used if you are in a location and you are referring to a person with a slight importance. For example, ‘Somebody has left the room and started screaming loudly.’ The use of ‘somebody’ is to refer to the person whom you possibly know but unknown in the current situation.

Huh?

Again the source is not known. From where do they get that definition, especially when every other website or grammar book says they are interchangeable.

Does anybody know the answer. Or is it ‘Does anyone know . . .’

Okay let me grab a book

If somebody, or anybody, is interested in my e-books then anyone, even someone, can click and learn more

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What Writers Should Do Second, Not First

When writing a story writers can fall into a trap, one based on what they have read or seen in movies, a trap they  must escape. Let me explain.

A short story I wrote, Flowers for Martha Clemens, was based on something I saw, then I ran away with it into the twilight zone. I saw an old man, perhaps mid 70’s, carrying a shovel  in a cemetery. He walked with purpose among the graves, his clothes not those of a cemetery worker. I stopped to watch the old man, but then thought if I saw what he was going to do it might make sense and I would forget the whole incident. Better to turn away, not see what he was going to do and make up my own story.

The first thought of a writer would be obvious. The old man is going to dig up a grave. We have seen and read about grave robbers, and though the idea of a 70 year old grave robber has a bit of interest, I though it better to ignore my first instinct. Instead of robbing a grave he would dig up the grave for another reason, one more macabre. One reviewer said she liked the story “for the hauntingly melancholy vibe that sucks you into the story.”

Because of her comment I knew I made the right choice, one not based on the obvious, but one going in a new direction. That is why writers need to make unusual choices and not trust your first instinct. Better to play around with choices, bouncing things around in your mind, coming up with a few to choose from is even better.

Creativity is found in challenging your mind, writing outside the page, creating a sense of play, and getting a bit weird if need be. Creativity is challenging yourself to make new things. Writing need not be stolid, it should be fun.

6,466 Words That Anger And Please

Writers have bad days when words come slow, if they come at all. Then there are the good days where words pour out like a Pacific Northwest rain, fast and hard. But what happens when they flow to fast, too hard.

Maybe it was the two pots of tea that stimulated the senses, but 6,466 words is one heck of an output for me. I did not know what was coming next, I was in a zone where characters, situations, dialogue took over, my fingers tapping keys with little thought. I was not in control, some creative force was. I loved it.

But something happened when the words began piling up. Fingers must have got tired and when they did, bad things happened; then my mind got tired and bad things happened.

I noticed after a few thousand words there were more typos. Then they began increasing with two or three in every sentence, then three or four. When you are in a zone this becomes irritating seeing those words underlined in red, the color that infuriates bulls. I saw the red, the cape, and the bull in me took over. My fist pounded the arm of the chair. Then as typos overran my brain, my fist pounded the table behind me.

As I got close to 6,000 words loose objects were thrown with fierce bullheadedness. Soft objects will not do, noise is the only way to ameliorate the anger, the only way assuage the frustration.

I finally came to the end. The tornado was over. FEMA came in to assess the damage. I received counseling and was released from the hospital. In the end I was thrilled with my 6, 446 words.

And now I must go, this post a warm-up to another day of writing. I am not planning on a 6,000 word day. The room is empty except for desk, computer, and chair. I have no idea what will happen. Writing is adventure, writing is risk, writing is dangerous.

No keyboard was injured during the creative flow.

My dangerous e-Books on Amazon you can find here.

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How a Candy Bar Changed My Life

It happened when I was four years old. A seminal moment I will never forget for even at four I realized something, and what I realized changed my life.

My aunt was driving me someplace, the where and why forgotten. I remember she stopped at a drugstore and went inside to purchase something. She came back out and handed me a candy bar.

I was curious as to what the candy bar was called. I was a year away from learning how to read, so I needed some help.

“What is the name of this candy bar?” I said.

“You know,” she answered.

“Now I don’t.”

“You know,” she said a second time.

Being four and being a boy, I was subject at times to a temper tantrum. I was on the verge of one by saying with strong emphasis, “No I don’t know. I CAN’T READ!”

I stared at the still unwrapped candy. It was long, had a silver wrapper and some letters on it. I kept looking down at it while my aunt pointed to the first letter. She said, “This is the letter U and this is the letter N and this is a O. It says U-No.”

“OH!”

I realized the power of letters. I realized the power of words. I learned the power of being able to read. I felt I was on the outside, that I was at a disadvantage.

This point was driven home when I learned how to read. Beginning with the Dick and Jane readers, progressing to the Hardy Boys, moving on to Jules Verne, I kept reading because the power of words, what they meant, what they symbolized was like having a super power.

I still read. I read fiction, non-fiction, e-Books, magazines, newspapers. And candy bar wrappers. I read because knowledge is power, but knowledge is gained from reading and discerning, analyzing, and thinking about what I read. And it is the letters, the words, that convey all that you need. U-No what I mean.

“No matter how busy you may think you are, you must find time for reading, or surrender yourself to self-chosen ignorance.”
– Confucius
“The more you read, the more things you will know. The more that you learn, the more places you’ll go.”
– Dr. Seuss, “I Can Read With My Eyes Shut!”
“Once you learn to read, you will be forever free.”
– Frederick Douglass

Reading also led me to writing as these e-Books on Amazon attest.

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