How writers should handle critiques

I woke up in the morning the day after publishing my first e-Novel with anxiety and dread my bed companions. They were not who I wanted to wake up with.

Every writer, every artist, has within them a lurking virus ready to infect the artistic insecurity with paranoia; imagination running amok seeing brutal judgements from unseen readers.

But the reviews over time were fair and more positive than I expected. Of course there was one review that upset me, but I realized he/she missed the point. Others got it, and that is one thing to remember. Whatever you write will be liked and disliked because some people, like my brother, does not like cheese, and others, like myself, love cheese. We have different tastes, different biases, and different views. Nothing is written in stone except the 10 Commandments and they disappeared..

Something just as unnerving is the anticipation of reading judge’s critiques from writing contests, like the one I recently entered, for these are professionals with stern judgement, so anxiety peaks, dread blackens, insecurity sinks, and paranoia makes you cower in the corner, so do not open the envelope like a six year-old at Christmas, ripping open paper to get at the goodies, for there are no goodies here; instead place it on a table, let it sit while you circle it for a few days, building up your immunity enough to open the envelope. You must be in command.

Here is what I found:

One judge did not like my opening paragraph and my hook. The other judge did. The judge who disliked my hook did not like my tension/pacing, but the other judge did. One liked my grammar, the other didn’t. There were some things they agreed on, so what did I learn and what can you learn?

Here is what I learned:

You must read a critique with a critical eye. If two judges disagree you must strive for objectivity-not easy when it comes to your creation-but again, I let it sit before going back my story. Your story must be read as if it was written by somebody else. If I thought one of the judges was correct, I changed something because I saw their point and agreed, but if I believed one of the judges was wrong I left it alone. Case in point, one of the judges who did not like my hook, thought one passage should be cut, but the action to me tied in with the end of the story and since the other judge had no problem with the opening and after numerous reading of the opening I left it as is.

Finally, one must realize that each judge has an opinion, but that is all it is. We all see things differently and we writers must critique the critique and not take other’s judgements at face value.

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Paul Auster; who writers are; their output, part two

In previous blog I quoted from Paul Auster’s novel Brooklyn Follies about who writers are and what writing is. Today I quote from same book regarding the output of writers. rather than quote from the conversation I will list writers and how much they wrote or how long it took to finish a book.

James Joyce wrote three novels

Balzac wrote ninety novels

Kafka wrote his first story in one night

Stendhal The Charterhouse of Parma in forty-nine days

Melville wrote Moby Dick in sixteen months

Flaubert spent five years on Madame Bovary

Musil worked for eighteen years on The Man Without Qualities and died before he could finish

Milton was blind

Cervantes had one arm

Marlow was stabbed to death in a bar room brawl before he was thirty

 

The point is it takes as long as it takes to finish your story so don’t go into a panic if you have trouble finishing because of other things going on in your life. Of course you don’t want to write for eighteen years and then die before you are finished, and nor do you want to die a bar room brawl with a knife going through your eye. But at least Marlowe finished his plays.

Do what you can when you can. Persistence can take you down the road to completion.

The best way tp predict your future is to create it-Abraham Lincoln.

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Author Paul Auster; what writing is and who writers are, part one

One of my favorite writers-and I have many-is Paul Auster and in his novel Brooklyn Follies the following passage considers what writing is and who writers are:

“Take a close look at the lives of poets and novelists, and what you wound up with was unalloyed chaos, an infinite jumble of exceptions. That was because writing was a disease, Tom continued, what you might call an infection or influenza of the spirit, and therefore it could strike anyone at any time. The young and old, the strong and the weak, the drunk and the sober, the sane and the insane. Scan the roster of the giants and semi-giants, and you would discover writers who embraced every sexual proclivity, every political bent, and every human attribute-from the loftiest idealism to the most insidious corruption. They were criminals and lawyers, spies and doctors, soldiers and spinsters, travelers and shut-ins. If no one could be excluded, and what prevented an almost sixty-year-old ex-life insurance agent from joining their ranks? What law declared that Nathan Glass had not been infected by the disease?”

Writing was always something I wanted to do, but early rejection dissuaded me. Later in life when the regrets of unfinished desires in life weighed heavily on my spirit, I became infected with a ravenous hunger to finish what I started.

I had doubts, I had fears, and like Nathan Glass, felt I was too old. The doubts and fears, however, were no match for the fear of not writing, of not moving forward, of having that monstrous ogre of life regrets go unquenched.

I have written two collection of horror/twilight zone type of e-short stories and three e-novels and a fourth to be published soon. Success does not matter, movie deals do not matter, for feeding this wonderful infection is life giving.

If you feel you are infected, do not wait. Start writing.

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