How I was seduced into Amazon’s supernatural invisible algorithms

It started innocently enough. I was at the local library and picked up a complimentary copy of Book Page. They also have a website bookpage.com for those who have never heard of libraries. On pages 22-23 in the non-fiction book reviews were two titles of interest to me. And now we get to the synchronicity part.

After attending a film at the local cinema, I headed home and went to Amazon ‘s website to learn more about the books and see how many reviews they garnered. I typed in “Andy Warhol was a Hoarder,” a book by Claudia Kalb in which she covers 12 different people of fame, who, shall we say, had some idiosyncrasies, and whether there is some correlation between madness and genius. I have not read the book, but I think there might be. But not full blown madness you understand. But I will read the book at some time.

But what caught my eye is that the next two books listed on Amazon under the Andy Warhol book were two more titles, totally unrelated to Warhol , hoarding, genius or any sort of mental aberration. But both of those books were listed on the same pages in Book Page as the Warhol book.

We on the outside world, the world of nerds and geeks, we who know nothing of algorithms (let alone the ability to spell it) at least have a basic understanding of what it means. So are we now in some supernatural Amazon algorithmic universe where book titles in a thin, little, complimentary, eclectic magazine magically appear on the same Amazon page? Does Amazon, like a computer that I have heard is in existence, reads a persons brain waves? No longer do you have to say anything to Siri, or to Cortana. You just have to think what you want and the computer will react and do what you wish. Beware what you think. If your wife is standing behind you, don’t think porn.

The other two books were David Denby’s “Lit Up” about his  year of observing a high school literature class for one year to see if today’s students actually have an interest in serious literature, and the other was “On My Own,” by NPR talk show host Diane Rehm. It is about the loss of her husband and non-compassionate choices of health care. These were the three books on pages 22-23 that showed up on the same Amazon page when I typed in the Andy Warhol title. Will it happen again? I am to afraid to try.

But I know in telling you about this synchronicity that I have been pixilated into Amazon’s algorithmic math. Otherwise how could I have written this blog and mentioned these books on Amazon. Somehow Amazon drew me in against my will and left me feeling like an alien abductee. We are doomed. The algorithms are after all of us. Forget Reptilians, forget the grays, forget the walking dead. Beware the algorithms.  

Cornell Woolrich twists a readers mind into a pretzel in “Fright.”

Cornell Woolrich, 1903-1968, wrote great crime stories including, “It had to be Murder,” made into the classic Hitchcock film “Rear Window.” In fact over thirty movies have been made from his stories, including two by French director Francois Truffaut, “The Bride Wore Black,” and “Mississippi Mermaid.”

But one that escaped the moves is one he wrote under the name George Hopley. The title is “Fright” and it is about a man who kills a woman on the day of his wedding because she is blackmailing him and he wants nothing to upset his plans. The story goes into how he tries to evade the private detective he believes is after him. He and his wife move to another city and he believes a new man in the office is the detective that is after him. The killer murders him and another person. He clearly has that paranoia/guilt that you find in the killer of Poe’s tale, “The Tell Tale Heart.”

The story winds down to an what seems an appropriate ending, a type of justice, because after what he has just done, there is no way out. But the problem is that while you are reading this ending you are aware there is one more chapter.

I won’t tell what is revealed in the final chapter, but I will say my jaw literally dropped open. It is the  “You got to be kidding” type of ending. The phrase “I never saw this coming,” is accurate to the nth degree. It is the type of ending that makes you reflect on the entire story, makes you reevaluate, makes you ponder something more than justice, takes you on an entire new journey of thought. I read the book about a year ago and the ending still haunts me.

As a writer you can not help but admire what Woolrich did. The book is not a mere crime story. It is more than a story about guilt, worry, paranoia. It goes far beyond that. Woolrich leads you down an expected path with wonderful writing, then twists your mind into a pretzel.

Does Woolrich play a trick on the reader? I will never tell. But it is a perfect book for writers to study, to figure out for themselves how to construct a great ending.

At the top of this site is info on who I am and  what my novels and short stories are about. My Seattle Mariner blog  is here. Thanks for reading.

 

Confusing pronouns confuse readers, okay maddens readers

I won’t mention the novel, nor will I mention the author, as it is not my intent to embarrass a fellow writer. I enjoyed his story even though I got perturbed, mad, and upset with confusing pronouns. 

What I mean about confusing pronouns is when there are two characters in a scene and then a pronoun, such as ‘he’ is used, but the way the sentence or paragraph is written, you do not know which character the author is referring to. Confusion means the reader stops. Damn it, the flow is gone, who is talking, who is doing what, who is ‘he.’

It is an easy mistake for a writer because the writer knows who ‘he’ is. That ‘he’ is in the writers mind, but it is not in the reader’s mind and that is the problem. This problem surfaced a few times in the novel and was frustrating.

All writers know writing is fun and proofreading is torture. I hate proofreading, but finding and correcting, commas, misspellings, inserting missing quotation marks is the least of it. They are more noticeable, though it can-and has-taken me dozens of times to find them all. At least I think I have found those bugaboos. But a proofreader must read word by word seeking clarity in each sentence and to do this the author must have a clear mind. And that is why it is recommended a writer wait six months-at least by some-before proofreading. That way your mind is clear, you have forgotten much, and you are more likely to see mistakes. I tried waiting, but I could go only three months as the itch to publish was itching so badly I felt I needed a cream, but the only alternative was to proofread. I found things I would not have seen before. What I thought was clear in a paragraph became three months later a mess.  I tried to blame it on Word.doc and some sort of self correcting flaw in the software. But I knew better, though I liked to blame the computer. It made me feel better.

The easy thing for a writer to do in correcting confusing pronouns is to simply place the character’s name where he should be. It works better for the reader who wants a good flow, no confusion, so keep the readers  reading.

Though this is my first post on this site, I have had two  blogs for some time. I have one on writing called “The quill, the e-word, and the looniness.” Near the end of 2015 I closed my long time website, terrynelson.net, to create this site for my blogs and my e-Books. So I will have the quill blog up for a while, but if you have followed me on that blog, I hope you will follow, not stalk, me here. At the top of this site is info on who I am and  what my novels and short stories are about. My Seattle Mariner blog  is here. Thanks for reading.