Why a Writer Should Work Like an Actor

Before I answer the question posed I want to set the scene before two characters talk.
In a short story I am working on, a man is walking down a hallway, stops in front of a door with a security window, punches a code into a keypad, and enters into another hallway.

I do not tell what the facility is, but through describing what the man sees in the hallway, like the color of the walls and what type of pictures or posters are hanging on the wall and using phrases like ‘institutional carpet’ and what he observes by watching people, some of whom are looking at a TV, though few seem to be comprehending, the reader should get the idea that the man is in a nursing home.
The man walks into a room where a woman is sitting and looking out the window. He pulls up a chair and begins to talk. So now we have a setting. And now they must talk.
When faced with a conversation, especially an emotional one and one with a twist, and a conversation that must reveal character, a lot of thought must go into the dialogue.
You must know your character, know how he talks, and know his personality. What you need not know is how the conversation will end. If you choose to think of how it will end and write towards that end that works too. For me, I like to make it up as I go along. Like an improve actor.
If I know my character, then I can imagine the conversation. As I write I know the man is going to reminisce about two things. One is about how happy he was when he got married and the other is the worst day of his life when his two children, home from college, are killed in an auto accident.
So, like an actor, I go with the scene. A writer must get into the character’s head and pretend to be the character. Writing fiction requires you, not to think, but to feel. A good actor feels the words, understands the emotion. Once you feel the emotion of the words, the dialogue flows. It did for me, usually does. And in this moment where the man says more than the woman he is conversing with I come up with something that makes it all work, including the twist.
You see, the man thought he was talking to his wife. The woman said that she was not his wife, that her children were not dead. She made short interjections, then asked him to call a nurse; three of four times she would break in and ask for the nurse.
When the nurse does come she sees the man and an empty chair.
The man was not in the right room, his wife is dead, the woman who lives in the room was watching TV in the activity area, and the man had dementia.
But you never say what the facility is. You never give the background like a reporter giving news. You reveal through descriptive imagery and through dialogue, imagining you are an actor, not on the stage, but on the page.
Finished imaginings of mine are found at the top of my web page and the e-books are available on Amazon.
Thanks for reading.

I raise the curtain behind a writers madness in writing a sentence

Writing is rewriting. The following is based on a short story I am starting. I thought it might be fun and instructional to show what goes through a writers mind as he/she tries to get a sentence and paragraph.  So let’s peek into my madness.

 

THEY COULDN’T GET OUT, THOUGH SOME COULD GET IN.

I know who ‘they’ are, the reader doesn’t. ‘They’ could be humans, or ‘they’ could be animals. The sentence needs clarity.

THE PEOPLE INSIDE COULDN’T GET OUT, THOUGH PEOPLE OUTSIDE THE DOOR COULD GET IN.

More specific, yet dull.

A CODE ON THE DOOR WAS NEEDED TO GET IN. THREE NUMBERS TO PUSH, THEN A CLICK WAS HEARD, THEN ONE PUSHED THE DOOR OPEN, LOOKING THROUGH THE WINDOW TO MAKE SURE SOMEONE INSIDE COULDN’T GET OUT, OR RATHER SHOULDN’T GET OUT.

Better, but awkward, does not say how the code is used. Does someone say “Alexa, please open door” or say three numbers, or are buttons pushed on a security pad. Also grammar is bad.

A MAN WALKED DOWN THE CARPETED HALLWAY, THE WALLS HUNG WITH INOFFENSIVE CHEERFUL POSTERS LEADING TO THE DOOR.

Problem is the walls are not hung, the posters (framed-should have used framed posters) are hung, and that is not what leads to the door.

A MAN WALKED DOWN THE INSTITUTIONAL CARPETED HALLWAY TOWARDS A THICK METAL DOOR WHICH HAD A REINFORCED WINDOW. FEW USED THIS HALLWAY, ONLY VISITORS AND STAFF AND THERE WAS ALWAYS MORE STAFF INSIDE THAN VISTORS. NEXT TO THE DOOR WAS A SECURITY PAD. THE MAN PUSHED THREE BUTTONS ON THE PAD, HEARD THE CLICK OF THE DOOR, BUT BEFORE PUSHING THE DOOR OPEN, THE MAN BRIEFLY PAUSED TO LOOK THROUGH THE WINDOW IN THE DOOR TO MAKE SURE IT WAS SAFE TO OPEN. THERE WERE PEOPLE WAITING TO GET OUT AND THEY MUST REMAIN. IT WAS CLEAR.

I like this. I used institutional carpeted to give the reader a hint of the type of building. I used ‘few used this hallway’ to make the reader wonder why (part of the hook if you will). And for the same reason wrote ‘more staff than visitors’ so that the reader will wonder what kind of place has more staff than visitors along with ‘few used this hallway.” The hallway and the building I hope arouse the reader’s curiosity. Then we have some action the man ‘pushed,’ ‘heard,’ and ‘paused.’ And finish with people inside must remain. And why.

If your first reaction is this is a jail, it is not. My intent is to describe what is inside the door through the actions or inactions of the people inside, doing so without telling you what the building is, but by describing what is going on it will become clear to the reader. Always better to show, not tell. I am not sure I am done with the opening paragraph. But it is time to move on to the second, to move forward, then go through it all over again.

 
The point for writers is to just write a simple sentence no matter how bad it looks, and then expand. Just starting gets the creative juices going. It may be slow for a bit, but then it picks up and you get on a roll. And as every writer knows, that is when magic happens.

My e-books are found on Amazon.

Loonies_In_Hollywood-375x712coyotemoon_silentmurder (1)

10 research sites for fiction writers-or anyone

Whether you write current fiction, science fiction, romance, westerns, horror, or like me, write mysteries set in the 1920’s or short stories with a paranormal theme, you want to get things right. You don’t want Abraham Lincoln turning on a radio to get news about the war in the Western theatre. Then again you might if you are writing alternate history or science fiction, but I will stand by my statement.

One obvious place to start is the Library of Congress. Something more European, try the European library, or if you need something specific about England, try their National Archives.  Don’t want to slight Australia , so there you are.

Another site with many topics is encyclopedia.com.

Writerswrite.com is a clearing house to take you to more specific sites and is fun to browse anyway.

This is a fun site I found on Pinterest called Fiction Writing research site.

Of course I will mention Wikipedia and though I am aware one must be careful what you find here, I have primarily used when researching 1927. What happened in each month of the year, anything newsworthy I could use in my story. I also double checked the information I found to make sure.

Want to get geographical names correct try U.S. Board on geographic names. A word here on street names. When dealing with the past, some cities have changed street names. In my e-novel set in 1911, “Loonies in the Dugout,” I used a map of New York from 1911. I also used a 1927 map of Los Angeles for two e-novels. I don’t know if any of the names I used had changed, but it is wise never to assume; always use source material.

And if you want to see how wrong politicians are in their statements try Factcheck.org. Good for a laugh, or tears, or anger.

Or you can go retro like I do. I go to book sales where I find books like “The Oxford World Mythology,” “The Oxford History of the Classical World,” or “Gray’s Anatomy,” (helpful if you want a coroner to explain cause of death or any medical issues if you write murder mysteries). You can also explore your local library if you feel the need to get away from clicking, tapping, and out of your chair because your butt is getting flat, and be able to touch real books with lots of info, take notes with tools like pen and paper. Then cross check with Internet sources. Research is important and fun. You never know where your search will lead you.

If you have a site you want to share leave a comment.

coyotemoon_silentmurder (1)Loonies_In_Hollywood-375x712dugout (1)