Need Your Help and Opinion

The image below is a possible cover for my new e-book to be published on Amazon. Original title was Head on a Grave, thus the cemetery setting. It is a murder mystery set in 1928 with more than one murder. I would like to know your thoughts about the cover. Because of the brightness, is it wrong for a mystery? Or should there be something more sinister? I like the idea of the not so perfect lettering, but that is only one opinion. So if you like it or not I would appreciate your thoughts. Thanks.

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One Simple Lesson For A Happy Life

In Travels with Epicurus, subtitled A Journey to a Greek Island in Search of a Fulfilled Life, the following story was told by the author Daniel Klein, who learned it had been told by Aegean islanders for a long time.

A prosperous Greek American was visiting one of the Aegean islands one day when “he comes upon an old Greek man sitting on a rock, sipping a glass of ouzo, and lazily staring at the sun setting into the seas. The American notices there are olive trees growing on the hills behind the old Greek, but that they are untended, with olives just dropping here and there onto the ground. He asks who the trees belong to.

“They’re mine,” the Greek replies.

“Don’t you gather the olives?” the American asks.

“I just pick one when I want one,” the old man says.

“But don’t you realize that if you pruned the trees and picked the olives at their peak, you could sell them? In America everybody is crazy about virgin olive oil, and they pay a damned good price for it.”

“What would I do with the money?” the old Greek asks.

“Why, you could build yourself a big house and hire servants to do everything for you.”

“And then what would I do?

“You could do anything you want.”

“You mean, like sit outside and sip ouzo at sunset?”

The above story is not unlike the old adage about stopping to smell the roses. If you are young, ambitious, want the big house and servants you are unlikely to take the advice. It is only the elders among us, who realize that sitting on the beach at sunset, drinking wine, watching the sun set, that truly appreciate what life offers. Simple pleasures are the great rewards, bringing peace and serenity. Stay calm, enjoy.

Skol!

 

 

Cortes, Burning Ships, Excuses, Writing goals

In Roger Van Oech’s book A Whack on the side of the Head, a book on how to be creative that is still going strong since it was published in 1983, he writes something I did not know about the Spanish explorer Hernan Cortes that is, shall we say disarming.

When Cortes landed his ships at Veracruz he burned all his ships. He did this to eliminate one option, leaving his men with only two. You either fight, he told them, or you die. Going home was no longer an option.

Van Oech writes “Sometimes it takes more creativity to get rid of the excuses we put in the way than it does to come up with the idea in the first place.”

I must admit I am guilty of using excuses to get in the way of writing and my excuses are very creative, along the lines of the kid who told his teacher, “The dog ate my homework.”

Cortes took away an excuse about whether to fight or not. His men really had no choice. I suppose I could burn my house down and write at the library with my laptop, but that option would not solve the problem as I would still find more excuses, then have to burn down the library.

The thing of it is, we procrastinators, we excuse makers, know we are avoiding what we should be doing. We are not fooling ourselves.

Van Oech asks the question of what three factors will make it difficult for you to reach your objective? How can you get rid of excuses?

Getting rid of excuses requires self discipline. Take Map Quest or any other app that gives your destination with directions. You follow them-and if they are correct, not always the case-you arrive at your destination. In the process of reaching your destination you took each turn along the path.

Perhaps each writer, or anyone with a goal, should create a type of map with a starting point, an end destination, then fill in the steps to take in order to reach the goal. And if, like the occasional misinformation on the directional map, you run into a burning ship, you adjust and continue your journey; you either fight the fight or your goals die.

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Bookman’s Promise, Lichtenberg, and Me

I am only 74 pages into The Bookman’s Promise by John Dunning, the third book of five in the Cliff Janeway novels and I already know I will buy the other four. The reason is simple. The writing.

In the story Janeway is talking about Richard Burton, the explorer, not the actor. He mentions that after his death, Burton’s wife “torched. . .forty years of unpublished manuscripts, journals, and notes. . .to purify his image.” She did not want anything to taint his image with the Church, though it was a bit late. But that is another story.

Then Janeway says “This is why I am not religious. If and when we do learn the true secret of the universe, some kind of religion will be there to hide it. To cover it up. To persecute and shred, to burn and destroy. They stay in business by keeping us in the Dark Ages. Darkness is what they sell.”

This is strong writing. Comparing what Burton’s wife did to her husband’s unpublished works (bad girl) to a conspiratorial view of religious purpose, and making it short, concise and clear. There need be no elaboration.

This is the joy for me of reading. Not just the craft of writing done well, but learning about Burton, whose published  books, now rare, factor into the story as part of the plot. One should not assume you learn nothing in reading fiction.

Later, Janeway, an ex-cop, now rare bookseller is talking how the computer leveled the playing field in rare book seling. It tells people what books are selling for around the world, but not “how to identify a true first edition of One Hundred Years of Solitude.”

Then Janeway quotes Lichtenberg, German physicist, who said, “A book is a mirror. If an ass peers into it, you can’t expect an apostle to look out.”  A computer, like the mirror, can only do so much. A computer can’t make us experts in rare books, and if both book and mirror are reflective, neither will make us more than we are.

Lichtenberg was also a satirist who said, “I thank the Lord a thousand times for having made me become an atheist.” He gave credit where credit was due.

So this was my joy of reading the first 74 pages of Dunning’s book this Sunday afternoon that I wanted to share. Now back to reading.

life is like a book

A WRITERS CIRCLE OF GUILT

As I write this sentence I feel guilty because I should be working on my next novel, creating character profiles and expanding chapter one.

But I know if I shift to that project I will feel guilty because I should be researching events of spring 1928 that occurred in and around Hood Canal as well as Washington State, and America as well.

But if I shift to researching I will feel guilty as I must edit two chapters before sending to a prospective publisher, rewrite my query letter, and sent my email to them.

But if I do that I will feel guilty as I should do more social media, blogging, tweeting, liking your blogs, uploading new photos to Instagram, going to Pinterest, as well as other undiscovered sites where I can increase my guilt.

But if I to that I will feel guilt for not pulling weeds. If I put on my gardening gloves, grab my clippers and pullers, I will feel guilt before I hit the backyard because I hate pulling weeds.

Sometimes guilt is welcome. See above paragraph. So I put down my tools, pull off my gloves, happy to feel guilt (for once) and start the process all over again. As I write this I am currently in the social media phase. It is going to be in the 90’s today so the weeds can flourish.

That means skipping weed pulling to work on my next novel. But this is Sunday and I only do that Monday thru Friday. So that is out until tomorrow. I could research, but I must send that email to a prospective publisher, so more important to edit the two chapters and query letter.

Or, since it will be in the 90’s I could head to the beach where I can feel guilty about everything. That is a plan. A writer’s life is not easy.

put down the book

 

Starting a Novel

In the beginning . . .

is the problem. The problem being how to begin. To outline or not to outline that is the question, whether it is more noble to create a roadmap and follow it through to the final destination at the outline’s end, or freelance and go where imagination (madness) takes you. In other words, take the road less traveled.

I opt, as usual, for madness. I like freelancing, making the story up as I go along. I have mentioned this before as I feel it gives the imagination free reign. I am also lazy and an outline is more work, and the less work the better. But in either case the opening is crucial. It must set the tone, it must draw the reader in to the story. It should introduce blah, blah, blah. Every writer has read all the advice about beginning  a story. And if you have read enough advice you have discovered conflicting ‘rules.’ So lets move on.

Let let me tell you about my new project because it has a bearing on how I start my new novel.

It is a murder mystery set in the spring of 1928 and is a follow up to my soon to be published e-mystery Head on a Grave. That story took place in the Pacific Northwest during November of 1927 when my lead Chet Koski having dispatched of a killer earlier in the year in Silent Murder, is given a vacation by his boss at Paramount Pictures, so he goes to visit his cousin in Centralia, Washington.

While the killer was caught, one person, who may or may not have been involved has proved elusive. Chet who lost his screenwriting job chasing the killer and not returning to work is going to stay in Washington to work on a novel.

That is the background to set up the next novel.

Research is important and during this time there was an artists colony on Hood Canal, which, by the way, is not a canal, but a fjord. It is a long story, feel free to click the link. So Chet, who is a writer, or at least he thinks he is, decides to go the Canal and find the artists who are painters, and blend in with the art colony. So that is the setting.

But we must begin the story with something exciting. Like the body of a dead woman washing ashore on the canal.  The opening paragraph is written in the omniscient point of view.

And then, as in Head on the Grave, I break the rules and change to 1st person as Chet gets out of bed and kills, or tries to, kill a black ant. This leads to a conversation with his actress wife and partner in solving murders, Eveleen.

So what have I accomplished so far. I have let you know I am working on a new novel, let you know a novel is soon to be published and given you a link to another novel, one I like a great deal and hope you read it if you have a Kindle or Kindle app, and given a link to the origin of Hood Canal.

I have done this because I am stuck on what happens next in my novel and was hoping to free up my creativity by writing a blog. That’s my story anyway and I am sticking to it.

And sense it is baseball season here is a link to the below e-novel based on a  true story you can read for 99 cents and help me feed my cat. Thanks for reading my blog.

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What Should Writers Steal?

I was sitting at a desk doing volunteer work for an organization I belong to, and sitting not far away were a group of six or seven middle age-or older-women at a long table holding a monthly meeting. I could not hear anything specific in their discussion, but since they were in my direct line of vision and since they were preoccupied with whatever they were discussing I was an unobtrusive observer.

And I could spy. And I could steal without being noticed.

One of the women had a hairstyle best described as worn-out Brillo pad. She chewed gum with intense fierceness, unlike a cow who enjoys her cud with gourmet bliss. At one point the woman got up and left the building, coming back about six minutes later. I believe she had gone out for a cigarette; she had that ‘air’ about her. And she had, what I assumed, was fresh cud-excuse me-gum in her mouth. She went back to her seat and resumed her chew. A short while later a man and woman came in.

The man wore a bright knit cap, knitted with the colors of the rainbow, plus colors that existed only on the cap, in a horizontal pattern that encircled his head. The man bent over to look in a display case. I noticed a perfect circle a few inches in diameter cut out of the top of the cap. He was bald-at least in that spot. I imagined that if he wore the cap in summer, he might have a cute little tan spot at the top of his head. I didn’t ask him about the strange circle at the top of the cap for I didn’t want to break my observation. A spy can’t make contact with his quarry. You understand right?

The point is not why he had cutout that small circle in his knit cap, nor is the point about what the woman was doing with her gum, but what you can steal from around you. What you can use in describing characters in your story.

When you observe people, what they wear, how they walk, anything that stands out, you make a mental note, or like me, write it down in my small pocket notebook-when nobody you are observing can see you of course. You are the spy, you are the thief, and you must be discreet.

Character traits, odd little tics and quirks, make your characters more believable and identifiable to your readers. When your reader sees the character in their minds they are more involved with your story.

My observations of people I have stolen from and transformed into fictional characters can be found in my e-Books on Amazon. The descriptions of the books can be found in my header.

 

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What should a writer pretend to be when writing dialogue?

Before I answer the question posed I want to set the scene before two characters talk.

In a short story I am working on, a man is walking down a hallway, stops in front of a door with a security window, punches a code into a keypad, and enters into another hallway.

I do not tell what the facility is, but through describing what the man sees in the hallway, like the color of the walls and what type of pictures or posters are hanging on the wall and using phrases like ‘institutional carpet’ and what he observes by watching people, some of whom are looking at a TV, though few seem to be comprehending, the reader should get the idea that the man is in a nursing home.

The man walks into a room where a woman is sitting and looking out the window. He pulls up a chair and begins to talk. So now we have  a setting. And now they must talk.

When faced with a conversation, especially an emotional one and one with a twist, and a conversation that must reveal character , a lot of thought must go into the dialogue.

You must know your character, know how he talks, and know his personality. What you need not know is how the conversation will end. If you chose to think of how it will end and write towards that end that works too. For me, I like to make it up as I go along. Like an improve actor.

If I know my character, then I can imagine the conversation. As I write I know the man is going to reminisce about two things. One will is about how happy he was when he got married and the other is the worst day of his life when his two children, home from college, are killed in an auto accident.

So, like an actor, I go with the scene. A writer must get into the character’s head and pretend to be the character. Writing fiction requires you, not to think, but to feel. A good actor feels the words, understands the emotion. Once you feel the emotion of the words, the dialogue flows. It did for me, usually does. And in this moment where the man says more than the woman he is conversing with I come up with something that makes it all work, including the twist.

You see, the man thought he was talking to his wife. The woman said that she was not his wife, that her children were not dead. She made short interjections, then asked him to call a nurse, three of four times she would break in and ask for the nurse.

When the nurse does come she sees the man and an empty chair.

The man was not in the right room, his wife is dead, the woman who lives in the room was watching TV in the activity area, and the man had dementia.

But you never say what the facility is. You never give the background like a reporter giving news. You reveal through descriptive imagery and through dialogue, imagining you are an actor, not on the stage, but on the page.

Finished imaginings of mine are found at the top of my web page and the e-books are available on Amazon.

Thanks for reading.

THE DAY I MET A 1911 BASEBALL STAR

You know you are getting old when you can tell people you met a pitching star whose rookie season was 1911. That was over a century ago.

 
I’m not a time traveler, I did not meet him in 1911; but at my age when reflecting on early parts of my life it sometimes seems I am traveling through time. The present is a totally different world from the late 1950’s.

 
I was probably in grade school. My father had been a pitcher in his youth, playing in an industrial league where I grew up. He gave that up when he decided to marry and have a family.

 
One of the umpires in the industrial league was a former major league pitcher who had an eatery in downtown Hoquiam, Washington, where I grew up. He told my dad-this is dad’s story- that this umpire told him he was good enough to pitch in the Pacific Coast League.

 
Who Knows?

 
But my dad took me to the eatery and introduced me to Vean Gregg, a pitcher who had a Hall of Fame start to his career until his arm went bad. In his rookie year of 1911 with the Cleveland Indians he was 23-7 with a league leading 1.80 ERA. Had there been a Rookie of the Year award he would have won.

 
The next two years he was 20-13 both seasons with ERA’s of 2.59 and 2.54. Then arm woes. He was 9-3 in 1914 before being traded to the Red Sox where he went 4-4. He was with Boston through 1916, then the Philadelphia A’s in 1918 and a final fling with Washington in 1925. His career record was 92-63 with a 2.70 ERA.

 
I remember sitting on a lunch counter stool and looking at Gregg as my father introduced me. I recall Gregg had nice smile and I have this image of the three of us going to a back room where I got to see some memorabilia.

 
He played on the same team as Shoeless Joe Jackson, one of the great hitters of the game. He was also a teammate of Hall of Famer Napoleon Lajoie. Gregg also played with the only player to be killed by a pitched ball, Ray Chapman.

 
And oh, yes, when he was traded to Boston he was on the same staff with a 19 year old pitcher named Babe Ruth. I wish I could recall every word of the conversation. Did I ask him what it was like to pitch to Ty Cobb? I remember images, not the words of the conversation. Knowing what I now know of baseball history I wish I could have that conversation again.

 
But at least I have the memory of meeting Vean Gregg, a star pitcher for three great seasons. That is what baseball can do. Give you memories that link to a bygone era. Sort of like being a time traveler.

 

And this memoir about Vean Gregg is what led me to be a writer. In researching and studying the 1911 baseball season I remembered the story of Charlie Faust and in researching Charlie I decided to write a fictional account of his brief time with the New York Giants. And because I liked two fictional characters I created for the Faust story I continued with them in two more novels with another finished, waiting publication, and another in the early stages of writing.

 

Every writer has a journey. This is how mine began.

 

Charlie’s story and the continuing adventures of Chat and Eveleen are e-books that are on Amazon.

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Shakespeare and R L Stevenson altered our minds without drugs

Myth can be created by folklore like Paul Bunyon, a tall tale to be sure, but myths can also arise, inadvertently by an author, from popular fiction that takes on a life of it’s own.

Two cases in point.

Treasure Island by Robert Louis Stevenson. The popular conception of pirates is that they buried their treasure because that is what happened in the novel. But there is only one known pirate to do that and it was Captain Kidd, who was more a privateer than pirate. It depended on whether his contemporaries liked him or not. More disliked him than liked him, so to us he is a pirate. Winners write history.

Think of it logically. Why would pirates bury their treasure and return later to dig it up. The entire crew knows where it is, so each larcenous crew member now looks at each other with distrust and paranoia. And don’t think the captain was the boss. A pirate captain was elected by the crew and he did nothing without a vote from the crew. And the crew wants the loot and they want it now. They have been at sea a long time and they want rum and women.

In truth pirates took ships, their cargo, and most of the crew of the captured ship. At one point, Kidd had three captured ships in tow. They would go to a friendly pirate port and sell everything they could, keeping supplies they needed.

The only reason Kidd buried nearly a million dollars in jewels and goods is that he was headed back to New York to answer charges of his piracy so he had to bury the evidence. Didn’t help. Most of his treasure has been found. But other pirates and ‘X’ marks the spot maps are pure fiction, not history. Thank to Long John Silver and R.L. Stevenson.

Another example comes from Shakespeare’s play Anthony and Cleopatra. Everyone believes Cleo was bitten by an asp while she was a prisoner of the Romans. That is what happens in Old Will’s play, but whether Will was passing on the lore he knew or he made it up, the asp is now our truth. Check any crossword puzzle.

The Romans found her dead. There were two puncture marks. From an asp? Well, according to other records she committed suicide by a poisoned hairpin, not an asp. Poison was a big seller in Egypt. Cleo was found in her private chambers. As a prisoner she would not have access to snakes, nor would she keep them in her rooms. But a snake is more dramatic because the audience would be more fearful of a dangerous snake than poison. Poison being more passive. 

And now you know the truth of the matter. Until it changes once again. You never know. It just shows the power of the written word, the power of story telling, and how we believe what we read, even if it is fiction.

Here are two of my fictional e-novels at Amazon. Both based on true stories. Perhaps another myth will arise from one of them. With your help of course.

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