The Week That Wasn’t and What To Do

This happened a few weeks ago.

First, the Arizona Coyotes invited me and a friend to a game. I love free tickets, so my friend and I planned to fly to Phoenix the day of the game. But the day before the flight  my friend had a kidney stone problem, I could not find anyone at last minute, so I contacted Coyotes and told them I was unable to attend. Rats! And they beat Calgary 2-0. Rats!

Then my new printer was not communicating with my computer. They stubbornly ignored each other like a married couple after an argument. Both sulking, neither giving in, a standoff with no resolution for days. Finally they made up and began working together.

The next day I came home from a meeting to road construction outside my house. They had been working on upgrading the sewer system, an improvement designed to prevent the old system from flushing unwanted waste out into the street. As if there is wanted waste. One man asked if I had a land line. I answered no, but my computer works off that line. Oops. They had knocked down the line.

They called someone who came within an hour to fix it and left. Later I discovered there was no connection. Huh? The next day I told the foreman my problem and he said he knew a guy who would get here and fix it. So I waited. And waited. The entire day I was a prisoner waiting for the pardon to free me. The guy never showed. I never saw the foreman again. The next day I called the company who provides my service. They would send someone, but he could not get there until after four. I had seven more hours to wait. The man showed and after examining everything he said the guy from yesterday hooked up the line wrong.

Two days wasted waiting for my phone line hookup. I thought I would go crazy. I was like a drug addict waiting for a fix. I need to get on the Internet. I have to do this,  I have to do that, and more again. Who emailed me? What spam did I get? Was my identity stolen in my absence? Is the digital world still there?

So what does one do when an entire week goes haywire. Well one thing is to throw objects to express your angry. But nothing breakable, or items which would break something else. I recommend rolled up socks. Or take a full box of toothpicks and throw them at a wall. It should be a wall in the kitchen because they can be swept up easily, unlike a carpeted room. Trust me.

Or you can just laugh at the insanity around you, that you are really not in control, that there are forces sometimes working against you. Ha Ha.

But you can’t laugh until the week has subsided, the unnamed forces withdrawn, a retreat to regroup for another attack some other week. It has now been four or five weeks. I am not laughing.

Today I tried to log in to WordPress to create this post. The login ignored me. I could not login. Finally I turned off my computer for a few minutes, restarted, and spoiler alert-it is working. Must have been a reconnaissance probe testing for a weakness in my defense. I won today, maybe this will be a good week.

I hope your week was a good one.

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Research Suggestion For Writers To Better Their Story

Research is an important tool for writers. Whether you are writing a western or a police procedural story, for example, you want details to be accurate. But there is another type of research that is just as important.

You want your characters to be real, ones readers can identify with. They have a type of personality, they have motivations,  they have strengths and insecurities. So in creating a character there is also research involved. Let me give an example.

I am writing a murder mystery. The victim is a young woman. We know nothing about her. She is fished out of a canal on the first page. During the course of the novel we learn about her and not just facts, more about who she is behind the facts.

I need to research the type of woman I want her to be. So I look at a book entitled Women Who Run With the Wolves.  The book contains myths and stories of the wild woman archetype. I focus on four chapters. One contains mythical stories about women as naïve prey. Another chapter is Hunting: When the Heart is a Lonely Hunter. The point is to learn about the mythical and psychological aspects of who this woman is, to give flesh and blood to her.

I am also reading Love and Limerence which is providing some great insight into men and women, about what love is and what it might not be.

I am also checking through Games People Play by Dr. Eric Byrne, about the psychological games we play-and there are many. This will help when her friends talk about her, telling specific stories indicating something of her character, her nature.

There are many books to chose from, not just books like The Meaning of Persons or Please Understand Mebut books on mythology from countries around the world.

The more research you do about the psychology of people, of archetypes, of mythology, the more you see who your character is going to become. The character will be real, will be someone readers can understand. All because of research.

Of course, since my story takes place in 1928, I need to research fashion, automobiles, all the little details, something of the times, making sure nobody watch’s TV or uses a cellphone. Writers always take the time to get those things correct, but we should never take for granted the characters to be created. Not how to create them.

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What You Can Learn From a Confused Lion

In a recent Clint Hurdle blog James Clear told the story about Clyde Beatty, famous lion tamer. He was the first to use a chair and whip to go into a cage with a lion. I had assumed all my life the chair was for protection. It wasn’t. Beaty knew the Lion, seeing the chair with 4 legs in his face, would be confused as he could not decide which leg to attack, so the lion was essentially paralyzed by indecision.

I think we all are faced with so many choices at times that we can’t figure out how to proceed.

In 1999 I bought my first computer. I knew nothing about them, but I wanted one. So I decided to buy one and figure out through trial and error how to use it. The computer was a Gateway, a popular company at the time. I followed the instructions and assembled it which was a miracle in itself as I have trouble understanding instructions. Fortunately the instructions had pretty pictures that showed what to do.

It came time to push start, so I pushed it. I was unaware that their computer, when it came on, would have a series of loud musical notes. It caught me by surprise and I nearly fell backwards off my chair. But I was online and part of the new world.

The point is to make a decision, then figure things out.

Take writing for example. Nobody really knows how to begin because too many people say do this, not that. Too many conflicting opinions. I recall reading books and articles when I first said ‘I want to write’. In the end I decided to trust my instincts. Just start a story. I can change things later, I can edit, I can add scenes, I can take out passages. I just had to ignore the legs of the chair with so many opinions on how to write and just attack on my own.

Trying to learn is good, nothing wrong about that, but in the end, at some point, you take the plunge and go for it. Whatever you decide you will learn more by trial and error because you must get into whatever you choose and learn for yourself.

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Cortes, Burning Ships, Excuses, Writing goals

In Roger Van Oech’s book A Whack on the side of the Head, a book on how to be creative that is still going strong since it was published in 1983, he writes something I did not know about the Spanish explorer Hernan Cortes that is, shall we say disarming.

When Cortes landed his ships at Veracruz he burned all his ships. He did this to eliminate one option, leaving his men with only two. You either fight, he told them, or you die. Going home was no longer an option.

Van Oech writes “Sometimes it takes more creativity to get rid of the excuses we put in the way than it does to come up with the idea in the first place.”

I must admit I am guilty of using excuses to get in the way of writing and my excuses are very creative, along the lines of the kid who told his teacher, “The dog ate my homework.”

Cortes took away an excuse about whether to fight or not. His men really had no choice. I suppose I could burn my house down and write at the library with my laptop, but that option would not solve the problem as I would still find more excuses, then have to burn down the library.

The thing of it is, we procrastinators, we excuse makers, know we are avoiding what we should be doing. We are not fooling ourselves.

Van Oech asks the question of what three factors will make it difficult for you to reach your objective? How can you get rid of excuses?

Getting rid of excuses requires self discipline. Take Map Quest or any other app that gives your destination with directions. You follow them-and if they are correct, not always the case-you arrive at your destination. In the process of reaching your destination you took each turn along the path.

Perhaps each writer, or anyone with a goal, should create a type of map with a starting point, an end destination, then fill in the steps to take in order to reach the goal. And if, like the occasional misinformation on the directional map, you run into a burning ship, you adjust and continue your journey; you either fight the fight or your goals die.

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TWO WEEKS UNTIL I . . .

Yesterday, Tuesday the 17th of July, I did it. I submitted, per guidelines of the publisher, my query letter and first two chapters of my next book, Blood Will Have Blood. 

On their website it says if they are interested they will contact you within two weeks. So two weeks until I know if they are interested or not.

I will be happy either way. If they reject-and the odds are they will-I can publish the e-mystery on Amazon where my other books are. But it would be nice if they said “We want to read the final two chapters.” It would mean getting more feedback during the process of getting into ink print, rather than digital print.

I have had rejections from agents and publisher with other submissions, so rejection is not a problem. It happens to all of us. But every time you try, you have hope and now I have hope for two weeks.

But I will not be idle. I am making progress on my next mystery by researching painting styles and what artists may have been doing in the mid 1920’s, writing character profiles, expanding and editing the first chapter, and determining how many characters I should have, not wanting the reader to juggle too many. I also have short stories to write for another collection.

So I will not be staring at the phone waiting for the call, nor checking my inbox to see if they will use email to contact me. On the other hand, though it has been less than 24 hours since I submitted, I think they should have contacted me by now. After all, those were really good chapters. Can’t imagine what the hold up is.

Getting back to reality, I found the publisher through a free subscription to Authors publish Magazine. They provide lots of information on publishers, markets for all types of writing, and free downloads of information. It is a good place to get leads of who is accepting submissions, whether in print or online. I get no kickbacks for telling you about them, no hidden agenda. Just pointing to something that can provide help for  writers.

And now back to working on my next book-whether in ink or digital format.

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This writers struggle to let go of his book

I thought it was just me.

But in The Golden Age of Murder, a book about British mystery writers between the two world wars it was said of Dorothy Sayers that  “. . . as  many authors do, that once she finished a book, she went through a phase of self doubt.”

I don’t know what went through her mind, but consider a writer creates a story, nurtures it, works to improve it, and when finished it is time to let go. Ah, it is the letting go that is the problem.

It is like raising a child and then letting it go out into the world. Your story, your work can be attacked by critics and readers, just as your child can be hated for reasons you can’t fathom. You love your child, you love your book and you hurt a bit when they are attacked. Each book, like each child, is on their own.

Self doubt, fear of letting go is real for many writers, myself included. I finished my latest e-novel months and months ago. I went through extended editing with grammar and punctuation and let it sit, coming to it with fresh eyes for another round of proofreading. How many times should one do this before letting go? I did it 3 or 4 times. Okay, maybe even more.

Now I am faced with creating a cover, or having someone else do it and I am also in the process of coming up with a new title. The original title was Head on a Grave, because the story begins with a woman’s head found on a grave. But I have two collections of horror stories, both with graves on the cover. I though another grave cover would be too much. I wanted more variety in my covers. Of course I could retain the title, but what image do I use on the cover?

I have two images from a town where some of the story takes place and I thought I would use that, but I still wanted another title. So I thought of Murder Bleeds out, or Blood will have Blood (from Macbeth), or Murderous Matters. Or perhaps Shadows in the Dark.

You see where I am going right.

I am still in a delay mode, while I ponder a new title, new cover, still having trouble letting go. It does not stop me from working on short stories or starting a new novel. The writing is easy, the letting go is hard.

But I have let go before, two collections of short stories and three e-novels on Amazon, so I can do it. I will get there. I just have to spank myself and get on with it.

Why Writers Lie and Why It’s Good

There is a reason why a novel or short story is called fiction. According to my American Heritage Dictionary fiction is defined as 1. an imaginative creation or pretense 2. a lie 

Putting the definitions  together we find a novel or short story is a pretentious lie created in one’s imagination. Shame on writers. And I do think you have to be a little pretentious to be a writer. And you certainly have to lie.

So why do writers create lies and why do readers believe the lies. We believe the lie you know. Readers talk  about characters as if they are real. When we read we get involved in what is going on with imagined characters who do not exist. If this happened without a book, that being getting involved with people who are imagined, said people get therapy and drugs for their hallucinations. I had an aunt who stood in front of a mirror in the hallway and talked Finnish to her reflection believing it was a friend of hers. She was ill. My aunt, not the reflection.(though that would make an intriguing story if the reflection was ill, and not my aunt). Anyway, you see the point. We have the book as an excuse for believing in non-existent people.

Writers create stories because they can not help themselves; they are warped.

Readers read for many reasons. One of which is that they like warped writers who create characters that interest them.

But here is the truth of the matter. If the characters seem real, if their actions are believable, if the readers can identify with situations, the reader sees the truth of the matter.

When you read the lies created by great writers human truths are revealed, for if they were not, we readers could not identify with the story. We sympathize, we feel empathy, we get mad, we laugh, we get scared, we sense tension. In short all our human emotions come into play, and in doing so we see the bigger picture, we understand something that can enlighten us, move us, learn more about how we feel, how we think, and it is all done through a lie.

I do not advocate lying in real life. Lots of trouble when you do. Let the writer do the lying, he will tell you the truth.

 

Starting a Novel

In the beginning . . .

is the problem. The problem being how to begin. To outline or not to outline that is the question, whether it is more noble to create a roadmap and follow it through to the final destination at the outline’s end, or freelance and go where imagination (madness) takes you. In other words, take the road less traveled.

I opt, as usual, for madness. I like freelancing, making the story up as I go along. I have mentioned this before as I feel it gives the imagination free reign. I am also lazy and an outline is more work, and the less work the better. But in either case the opening is crucial. It must set the tone, it must draw the reader in to the story. It should introduce blah, blah, blah. Every writer has read all the advice about beginning  a story. And if you have read enough advice you have discovered conflicting ‘rules.’ So lets move on.

Let let me tell you about my new project because it has a bearing on how I start my new novel.

It is a murder mystery set in the spring of 1928 and is a follow up to my soon to be published e-mystery Head on a Grave. That story took place in the Pacific Northwest during November of 1927 when my lead Chet Koski having dispatched of a killer earlier in the year in Silent Murder, is given a vacation by his boss at Paramount Pictures, so he goes to visit his cousin in Centralia, Washington.

While the killer was caught, one person, who may or may not have been involved has proved elusive. Chet who lost his screenwriting job chasing the killer and not returning to work is going to stay in Washington to work on a novel.

That is the background to set up the next novel.

Research is important and during this time there was an artists colony on Hood Canal, which, by the way, is not a canal, but a fjord. It is a long story, feel free to click the link. So Chet, who is a writer, or at least he thinks he is, decides to go the Canal and find the artists who are painters, and blend in with the art colony. So that is the setting.

But we must begin the story with something exciting. Like the body of a dead woman washing ashore on the canal.  The opening paragraph is written in the omniscient point of view.

And then, as in Head on the Grave, I break the rules and change to 1st person as Chet gets out of bed and kills, or tries to, kill a black ant. This leads to a conversation with his actress wife and partner in solving murders, Eveleen.

So what have I accomplished so far. I have let you know I am working on a new novel, let you know a novel is soon to be published and given you a link to another novel, one I like a great deal and hope you read it if you have a Kindle or Kindle app, and given a link to the origin of Hood Canal.

I have done this because I am stuck on what happens next in my novel and was hoping to free up my creativity by writing a blog. That’s my story anyway and I am sticking to it.

And sense it is baseball season here is a link to the below e-novel based on a  true story you can read for 99 cents and help me feed my cat. Thanks for reading my blog.

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How to Write when You are SICK!

You know the feeling. First you clear your throat, then a cough, but you feel fine. But the cough becomes more frequent, you feel tired you lose your appetite as the cough gets worse. Forgive me for using the V word, as in vomit, but we must. So you cough, you blech, cough and blech, and you can’t write because you no longer care.

I am sure you know the feeling when your body is about to blech, up chuck, throw up, puke, vomit, toss your Oreo cookies. Anyway that is the feeling I would get, but instead of the aforementioned I had a rasping, hacking cough coming from the pit of my soul.

I stayed in bed waiting for death. It never came.

Naturally in this condition I could not write. I had little to no energy. I lost five pounds in four days. Sadly I gained it back through vanilla ice cream, Hershey’s chocolate syrup, potato chips, and other healthy foods.

Once the body shuddering cough subsided a bit, downgraded to merely coughing without gut wrenching pain I could write. But not much.

I was able one day to finish a short story. I had only to write less than 700 words to finish. And I started another a couple days later, only about 500 words. A couple days later I start a novel, but only a couple hundred words.

That was all I could do. I still wasn’t eating and I was still tired, languishing in laziness, sickness, a foggy head, and a lack of ice cream with Hershey’s chocolate syrup.

The problem as a writer with sickness that goes on for three weeks, an illness that saps your energy, your thought processes, and your creativity, is that you get out of the habit of writing and when you get out of your habit, stray from your discipline, it takes some time for you to get back into the swing.

So the best you can do when this befalls you is wait until you feel something resembling your previous humanness and then  write a blog about your sickness. Like I have just done. Now I know I am back into writing. And just as soon I down a huge bowl of vanilla ice cream with Hershey’s chocolate syrup, I will get back to my unfinished short story.

Thanks for reading and good health to you.

 

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How Handwriting Kills Creativity in the Digital World

If you are a writer you know ideas, thoughts, and dialogue scenes pop into your head whenever, and at times whenever arrives like unwelcome gas when in bed with a significant other or significant same, in other words, at inopportune moments. You either have to let it go, or suck it up and multitask.

Often I get random thoughts when I go to bed. To sleep. So I keep a memo pad on a small table next to my bed. The other night something came to mind and I had to write it down. This was good. What was bad was waiting three days before I looked at it.

My handwriting is so bad even doctors can’t read it. It looks like a cross between Egyptian hieroglyphics, Sanskrit, Japanese, and ancient Martian. It does not help that my glasses were elsewhere when I wrote on the pad.

I finally got around to translating my handwriting into digital words on Word.doc. I was pleasantly surprised that only one word could not be translated out of three chicken scrawled pages, remembering of course that that is three small pages in a small memo pad.

One partial sentence reads like this, “. . .  not as vital as the heart, but vital to a (not legible), and then continues “to the future.” The word in question looks like h’fel’n, but that is a guess and based in part on two archeologists who are friends that specialize in ancient scripts.

The point is for a writer to strike while the iron of creativity is stirring. Do not have a memo pad by your desk. If you have an idea, get out of bed with the urgency of one who believes the roof is caving in during an earthquake, leaving your partner to fend for themselves because they are not writers and don’t understand you to begin with, shoving the cat out of your chair, and using the device of choice, write everything in the digital format and never, ever write anything with your hand. They are for holding a spoon to get ice cream to your mouth. If the cat meows too much throw her out of the room and let the dog take care of it.

As I was writing this post I had an idea for the last line. I made the mistake of writing-in hand-and doing so hurriedly. It looks like this, “Writing is important, nt Big otes on nets.”

I think otes could be notes, and nets could be pets or pads. I have no idea about nt. My archeologists gave up and went home.

Okay, I have no archeologist friends, but the two examples of my note taking are true.  The sad thing is that the last line beginning “writing is important . . .” is something I wrote about ten minutes ago and still don’t know what I meant.

So strike while the iron is hot and make sure the iron is stored in a digital device. Either that or have great handwriting.

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